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Academisch Nederlands. --- Academische teksten --- Essays --- Literatuuronderzoek --- Nederlandse taal --- Papers --- Scripties --- Wetenschappelijke artikels --- Wetenschappelijke teksten --- Nederlandse taal. --- cultuurwetenschappen. --- schrijfvaardigheid. --- Science --- schrijven --- wetenschappelijke publicaties --- writing [processes] --- Architecture --- Stilistics --- Literature --- Social sciences --- Authorship --- Language arts --- Study and teaching --- 001.8 --- cultuurwetenschappen --- academisering --- literatuur --- geschiedenis --- filosofie --- scripties --- essays --- verhandelingen --- dissertaties --- papers --- literatuuronderzoek --- #KVHA:Taalkunde; Nederlands --- #KVHA:Academisch schrijven; Nederlands --- 001.8 Methodologie in de wetenschap --- Methodologie in de wetenschap --- Tekstschrijven --- Cultuursociologie --- Geschreven taal --- Nederlands --- Communicatieve vaardigheden --- Methodologie --- Cultuurwetenschappen. --- Schrijfvaardigheid. --- Dialect --- Etymologie --- Fonetiek --- Idioom --- Zinsleer --- Linguïstiek --- Vlaams --- Vlaanderen --- Emigratie

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The Journal of the American Institute for Conservation (JAIC) is an international peer-reviewed periodical for the art conservation profession. The Journal publishes articles on treatment case studies, current issues, materials research, and technical analyses relating to the conservation and preservation of historic and cultural works. The topics encompass a broad range of specialties including architectural materials, archeological objects, books and paper, ethnographic materials, objects, paintings, photographic materials, sculpture, and wooden artifacts. Started as the Bulletin of the International Institute for Conservation-American Group (IIC-AG), in April 1961, the Journal matured into its current form in 1977. Since that time JAIC has become a repository for the core body of conservation information through its documentation of new materials, changing methods, and developing standards in the conservation profession. The four-color publication is distributed three times a year to AIC members and museum, library, and university subscribers.

Conservation. Restoration --- Art --- Museum conservation methods --- Paper --- Musées --- Papier --- Conservation and restoration --- Periodicals. --- Preservation --- Conservation et restauration --- Périodiques --- Méthodes de conservation --- Préservation --- Periodicals --- Arts and Humanities --- Architecture, Fine and Decorative Arts --- Performing Arts, Travel and Leisure --- Museum conservation methods. --- Conservation and restoration. --- Preservation. --- Conservation methods, Museum --- Museum techniques --- Papers --- Fibers --- Writing materials and instruments --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Deterioration --- Art, Primitive --- Art - Conservation and restoration - Periodicals. --- Museum conservation methods - Periodicals. --- Paper - Preservation - Periodicals. --- Musées --- Périodiques --- Méthodes de conservation

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An exploration of interaction design through 35 classic examples of video games, from Space Invaders to Minecraft.Our lives are increasingly lived on screens, and every one of our electronic interactions is mediated by a designed interface, which can be buggy and incomprehensible or inviting and accessible. Like other ubiquitous everyday tools, these interfaces are seldom recognized as objects of design?and even less as objects of interactive design. In video games, however, users are acutely aware of their relationship with the interface, making video games compelling examples of this important field of contemporary design.Published in conjunction with an exhibition at the Museum of Modern Art, Never Alone: Video Games as Interactive Design explores the impact of interactive design by examining 35 video games created between 1972 and 2018?from Space Invaders (1978) and Pac-Man (1980) to The Sims (2000) and Minecraft (2011). An overarching essay by curators Paola Antonelli, Anna Burckhardt and Paul Galloway presents the pioneering criteria by which MoMA has selected these video games for its collection, as well as the protocols for their acquisition, display and conservation. The richly illustrated plate section is divided into three sections that analyze input devices (keyboards, joysticks, buttons), game designers and players, and each game is accompanied by a short text illuminating its significance in the history of the medium.bron : https://www.copyrightbookshop.be/shop/never-alone-video-games-as-interactive-design-moma/

Computerspel --- Design --- Vormgeving --- Video games --- Interactive art --- Video games in art --- 527.4 --- game design --- games --- computerspellen --- video games --- Magnavox odyssey --- Pong --- Space invaders --- Asteroids --- Pac-man --- Nethack --- Tetris --- Snake --- Katamari Damacy --- Canabalt --- Monument valley --- Tempest --- Yar's revenge --- Another world --- Myst --- Portal --- Dwarf fortress --- Passage --- Flow --- Flower --- Journey --- Papers, please --- Never alone --- This war of mine --- Inside --- Everything is going to be ok --- Getting over it with Benneth Foddy --- Return of the Obra Dinn --- Street fighter II --- Simcity 2000 --- The Sims --- Vib-ribbon --- Eve online --- Minecraft --- Biophilia --- The Stanley parable --- Participatory art --- Performance art --- Social practice (Art) --- Television games --- Videogames --- Electronic games --- Social aspects --- Gamegeschiedenis --- Computer games --- Internet games --- Games --- Jeu vidéo --- Société numérique --- Art --- interactive art --- digital art [visual works]